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Eugen Schüfftan
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From Wikipedia, the free encyclopedia
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.
He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.
Schüfftan won the 1962 Academy Award for Best…
Filmography
65
Chappaqua
1966
The Doctor Speaks Out
1966
Three Rooms in Manhattan
1965
The Big Scare
1964
Lilith
1964
The Virgins
1963
Captain Sindbad
1963
Something Wild
1961
The Hustler
1961
Eyes Without a Face
1960
A Couple
1960
The Bloody Brood
1959
Head Against the Wall
1959
The First Night
1958
Hawkeye and the Last of the Mohicans
1957
A Parisian in Rome
1954
Ulysses
1954
The Venus of Tivoli
1953
The Crimson Curtain
1953
Mina de Vanghel
1953
The Respectful Prostitute
1952
Gunman in the Streets
1950
Women in the Night
1948
The Strange Woman
1946
The Dark Mirror
1946
A Scandal in Paris
1946
Club Havana
1945
Bluebeard
1944
Summer Storm
1944
It Happened Tomorrow
1944
Voice in the Wind
1944
Hitler's Madman
1943
There's No Tomorrow
1940
The Emigrant
1940
María de la O
1939
The Shanghai Drama
1938
Port of Shadows
1938
Hatred
1938
Forfaiture
1937
Bizarre, Bizarre
1937
Yoshiwara
1937
Street of Shadows
1937
The Trouble with Money
1936
The Tender Enemy
1936
The Invader
1936
The Slump Is Over
1934
The Scandal
1934
High and Low
1933
Invisible Opponent
1933
The Oil Sharks
1933
Queen of Atlantis
1932
The Mistress of Atlantis
1932
Into the Blue
1931
I'd Rather Have Cod Liver Oil
1931
The Scoundrel
1931
Les quatre vagabonds
Les quatre vagabonds
1931
Popular Tune
1931
The Stolen Face
1930
Farewell
1930
People on Sunday
1930
Jagd auf dich
1929
Metropolis
1927
Napoleon
1927
Manon Lescaut
1926
Hudson's Bay
Hudson's Bay
